Hallelujah

I was in Edinburgh watching a gospel choir from South Africa singing songs of freedom, with colorful costumes, soaring voices, dancing and much gusto.

The final song they sang, though, was Leonard Cohen's Hallelujah. While this is not my favourite of songs, the fact that they were singing a song by a Jew and through it were intending to praise God moved me; and I was even more moved when the entire audience rose to their feet and sang in unison "Hallelujah" with incredible joy and vitality. 

And it suddenly struck me that every time someone says the English word Hallelujah, since fortunately in this case the annoying J that creeps in in English versions of Hebrew words is not pronounced, they are literally saying the Hebrew words הללויה or הללו יה, Hallelu Yah, praise God.

Meaning that, without ignoring negative things this religion has wrought such as the Crusades and anti-semitism, one good thing Christianity has certainly done is brought millions of mouths down the ages to say the words "Praise God" in Hebrew, and that goes on until today.

And each time a mouth does that, surely that is a bolt of good energy in this troubled world?
Perhaps it even creates an angel?

Sing Hallelujah
Sing it!

Miriam's Trauma/Healing By Water

Let’s talk about Miriam – prophetess, leader, water-bringer. In her life, there are two crucial scenes that take place next to water:

(1) BY THE NILE

 As a young girl she stands by the Nile, watching her baby brother Moses float in a basket, placed there anxiously by his mother after Pharaoh decreed that all baby boys must be thrown in the Nile (Exodus 2):

3. And when she could not longer hide him, she took for him an ark made of reeds, and daubed it with slime and with pitch, and put the child in it; and she laid it in the rushes by the river’s brink.

4. And his sister stood far away, to see what would be done to him. 

Pharaoh’s daughter takes him and saves him from the genocidal decree by adopting him, and Miriam is instrumental in that.

(2) BY THE SEA

Much later, as a woman of eighty-five, after the Red sea has split allowing the Israelites to go through and then closed over the Egyptian foe, she witnesses her brother Moses singing the famous song known as “Az Yashir”. Then, following his  lead, she takes up her tambourine and leads the women in song and dance by the sea (Exodus 15):

20. And Miriam the prophetess, the sister of Aaron, took a tambourine in her hand; and all the women went out after her with tambourines, dancing.

21. And Miriam answered them, Sing to the Lord, for he has triumphed gloriously; the horse and his rider has he thrown into the sea. 

In the first instance, she is not named – she is only named in the second story, many decades later. Why is this? And moreover, why don’t hear anything of Miriam in the intervening years between these two scenes? What was she doing in Egypt? Was she not involved in leading the people? What happened to the resourceful little girl who spoke up boldly to Pharaoh’s daughter – why does she vanish from the text?

And since we are asking questions, let us also wonder why Miriam is described here suddenly as “sister of Aaron”?

* * *  

Many answers are possible, but one that ties all these threads together emerged during a Bibliodrama I ran in Rechovot. It goes as follows:

Let’s conjecture that the first incident caused young Miriam to experience a trauma. Yes, her baby brother was saved from death, but he was still ripped away from his family, taken to the palace of the cruel tyrant whom the Israelites hated and feared, and raised there by another woman as an Egyptian. We have no idea if Miriam even saw him from that day forth. Perhaps this took all the wind out of her sails. She was unable henceforth to step up to leadership roles; she could never forget her little brother or stop being worried about him.

Fast forward to the redemption by the sea.

If the first scene took place by the Nile, the god of the Egyptian, water that belonged to the enemy and served its genocidal purposes, this scene takes place by a sea that was friendly to the Israelites, that opened for them and closed over the Egyptians. Finally, they were safe. And now Miriam also sees her brother sing gloriously, leading all the people – something he has never done before. A moment before that, we learned that the Israelites “believed in God and in Moses his servant.” Miriam can finally put her mind at rest. Moses is okay, he is whole – she can see it. She is entirely joyous now - where in the previous scene "she stood", here she dances. 

In this moment, as her trauma recedes in what we in Hebrew call a חוויה מתקנת. a rectifying experience, she can come into the fullness of her being and be named. She can also finally let her anxiety about Moses rest. And if all these years she neglected her middle brother, Aaron, being unable to give him the attention and love he deserved, perhaps now she can finally become his sister.

* * * 
Two verses later, and surely not by coincidence, the letters of Miriam’s name מרים appear again as “Marim”, bitter. But Miriam’s bitterness has now receded, just as the bitter waters will recede when Moses puts a tree or stick into them. The tree of life. A sweet experience of life – and the tree of life, the Torah – can heal bitterness, as it did for Miriam.

Then, in her merit, the well of life-bringing water comes to the people and remains with them until her death.

[1] With thanks to Aviva Harbater-Tsubeiri for her insight regarding the trauma of the first incident, and to other members of the Berman synagogue in Rechovot for their input and ideas.  

 [2] For more on how the Israelites' belief in Moses enabled him to sing his song, see here.

Singing your soul song

The Nadvorna Rebbe (צמח ה' לצבי) points out that it was only when the people of Israel, after the splitting of the Sea, finally at long last

"believed in G-d, and in Moses His prophet," (Exodus 14:31)

that

"Then Moses sang this song" (Exodus 15:1) - which is of course the famous song of praise, Az Yashir.

The Nadvorna takes this in a certain direction (that we should sing even before the miracle occurs).
However I noticed another point that speaks to me: that just before the song, we hear that the people believed in G-d and in Moses.

Moses, who held back so much in following his calling at the beginning; Moses of "the uncircumcized lips", who resisted the call to leadership; who was also uncertain what to do at the Red Sea and had to be firmly instructed by G-d, "Why do you cry to me? Speak to the people of Israel, that they go forward!" (Ex. 14:15). This is the Moses who suddenly sings out without hesitation, with great confidence.

Perhaps it was precisely the people's palpable faith in him that now suddenly granted Moses the ability to sing  this extended, articulate and poetic paean to G-d. Perhaps this even enables the next phase of his spiritual career, as he becomes a fine-tuned instrument of G-d and goes on to receive the Torah on Mt Sinai.

Faith in G-d, is one important lesson of this part of the Exodus narrative; but here we also have a window into the importance of faith in people, especially our leaders.

The famous Torah of R' Nachman, the Azamra Torah (292) that speaks of finding the good points in another person and thus elevating them, continues with the following:

In just the same way you must carry on searching until you find another good point. Even if you feel that this good point is also full of flaws, you must still search for some good in it. And so you must continue finding more and more good points. This is how songs are made.

Now I understand this idea expressed by R' Nachman, which I have read several times in the past, in a more meaningful way. This truly is how songs are made.

Also, we are told they believed in Moses G-d's servant. Thus, our perception of the potential in people and leaders is most empowering to them when we focus on their calling in this life, on how they can be of unique Divine service.

So let us hold a gaze of steady faith in those others we have been given to love and admire - friends, family, leaders - so as to enable them to sing their unique divine soul song, a gift to all who surround them.